The beauty of ancient temples leaps on paper

The Guangren Temple in Xi'an is located in the northwest corner of the Ming Dynasty city wall. It is the only Green Tara main temple in China and the only Tibetan Gelug sect temple in Shaanxi Province. It was built in the 44th year of the Kangxi reign of the Qing Dynasty (1705) when Emperor Xuanye came to Shaanxi for inspection and allocated funds.

Jin Hui Dui, also known as the "Eight Broken Paintings", is one of the treasures of traditional Chinese art. It originated from the elegant literati paintings of the Song and Yuan dynasties, and the earliest recorded painter in history was Qian Xuan from the Song Dynasty. Jin Hui Dui "is a realistic painting with three-dimensional visual art characteristics, integrating various art forms such as painting, seal carving, and full form expansion. It is antique, full of childlike charm, and thought-provoking. Some people call it" non book is better than book, non painting is better than painting ", which has a unique aesthetic value.

Feng Jing, the only inheritor of intangible cultural heritage in Jinhui Dui, Shaanxi Province, was invited to carefully extract the culture of Guangren Temple and create a masterpiece of Jinhui Dui that belongs exclusively to Guangren Temple. The work was drawn on silk after half a year.

The content of the picture gathers the main buildings and relics of Guangren Temple: Guanyin Hall, Sutra Pavilion, Kangxi Imperial Stele Pavilion, the inscription of Imperial Guangren Temple Stele, and the White Marble lotus throne of the Tang Dynasty.

The book "Jinhui Dui Guangren Temple" captures the culture of ancient temples and precious cultural relics in a square inch, replacing the tedious and lengthy textual explanations. A painting tells the story of religious heritage.

Ms. Feng Jing used this work to create a pocket notebook, which was re composed based on the original content of Jin Hui Dui. The colors are magnificent and correspond to the characteristic "golden tiles" of Guangren Temple. The interior pages are also partial fragments of the work, exquisite and unique. When flipping through it, the history of three hundred years leaps onto paper, allowing one to experience intangible cultural heritage art and the beauty of ancient temples through faith.